Our ICA x BLESS totes are now back in store. These bags are based on the best-selling BLESS tote but reimagined in the RGB colours of ICA's visual identity, especially for the Institute. Red Members get 10% off. https://t.co/iiGHl2f9Z2https://t.co/GHIzv9oYsY
Ain Bailey and Ego Ahaiwe Sowinski have DJed and organised in London together for the past two decades in this interview the pair talk solidarity, historic spaces of Black feminist organising and the disappearance of queer venues. https://t.co/RtT3mDoZf8https://t.co/RYyVWJQ4q6
To get into the mood for tonight's Congregation: Club Night, listen to Ain Bailey's mix Farewell, Sunday Happy Day. Play on it gets deeper https://t.co/oCLp90qkKthttps://t.co/GiQqpa9ZSZ
"We had spaces and now we don’t, and Ain’s act of bringing us together gives us an opportunity to remember." Ego Ahaiwe Sowinski (DJ Marlon aka The Church Lady) discusses DJ Ain Bailey's #Congregation. Get tickets to Congregation: Club Night... ICA Retweeted
"Congregation is a homage to community." DJ Ain Bailey's three-part series of events, Congregation, kicks off tomorrow evening with a club night ft. Ain Bailey, DJ Levi, DJ Marlon aka The Church Lady, ORETHA. Get tickets here: https://t.co/IgeltDEeM7https://t.co/FiFaycrvaY ICA Retweeted
Broaching the Noughties, a new gen of Brit creatives emerged redefining the cinematic landscape of the city and the Top Boys in its midst. We screen those early works (from @MenhajHuda, Joe Wright, @KathyBurke,@MoAliDirector ++!) Mon 14th Jan @ICALondon: ... ICA Retweeted
"Congregation is a homage to community." DJ Ain Bailey's three-part series of events, Congregation, kicks off tomorrow evening with a club night ft. Ain Bailey, DJ Levi, DJ Marlon aka The Church Lady, ORETHA. Get tickets here: https://t.co/IgeltDEeM7https://t.co/FiFaycrvaY
"He sacrifices image fidelity to pursue the abstract, the degraded, the artificial, pointing to the mobility and mutability of images in contemporary visual culture." @SightSoundmag name Godard's Image Book as one of the best films of 2018: https://t.co/xW5O2kstgThttps://t.co/Dkl936GAFF
Frames of Representation: How to Film Nothing: Lecture with Boris MitićThe director of satirical documentary In Praise of Nothing joined us for a special, tongue-in-cheek lecture about Nothing. Boris Mitić presents a quirky overview of the creative and production challenges of making his whistleblowing documentary parody in which he explores ...
Frames of Representation: Intro and Q&A #FoR18 Shorts #1Q&A with directors Pedro Peralta (Ascension) and Rafael Ramírez (Amundsen’s Dogs) and producer Michał Białożej (Zhalanash) hosted by film journalist and critic at large Wendy Ide. Ascension (Ascensao) The term sublime is not overused, Ascensão is an invitation to a ...
Frames of Representation: DragonFly Eyes Q&AQ&A with director Xu Bing hosted by Tony Rayns, filmmaker, critic and festival programmer with a special interest in East Asian cinema All across China, surveillance cameras are tracking citizens as they go about their lives. Compiling diverse fragments of ...
Frames of Representation: Meteors (Meteorlar) Intro and Q&AQ&A with director Gürcan Ketlek hosted by Isabel Stevens, Production Editor at Sight & Sound At night, in a Kurdish town in eastern Turkey, meteors start to fall. Stepping out of their homes to look, the city's inhabitants encounter fragments ...
Frames of Representation: The Son (Syn) Intro and Q&AQ&A with director Alexander Abaturov hosted by Nick Bradshaw, Web Editor at Sight & Sound In Siberia, a group of young recruits compete in harsh conditions to join the elite Spetsnaz special forces. At home, a family grieves for a ...
Frames of Representation: FoR Shorts #2 Intro and Q&AA programme of three short films with directors Luis López Carrasco (Aliens), Pilar Palomero (Horta) and Madi Piller (Untitled, 1925) in attendance, hosted by programmer and critic Gonzalo De Pedro. Aliens Tesa Arranz, a key figure in the 1980s Madrid ...
The Son (Syn) /// ICA Cinema Release TrailerIn Siberia, a group of young recruits compete in harsh conditions to join the elite Spetsnaz special forces. At home, a family grieves for a lost son, killed in 2013 at the age of 21. Interweaving these narratives, The Son ...
In formation III: Khairani Barokka, Annah: Nomenclature - PerformanceRelating to In formation III’s considerations of collective care and attention to the elements of psychic life that intersect with cultural, historical and social constructions of subjectivity, Indonesian artist Khairani Barokka develops a new part in her Annah, Infinite series. ...
In formation III: Khairani Barokka Annah: Nomenclature - Q&AIn formation III Relating to In formation III’s considerations of collective care and attention to the elements of psychic life that intersect with cultural, historical and social constructions of subjectivity, Indonesian artist Khairani Barokka develops a new part in her ...
